![]() The direction is reasonable – Sharp tries his best to give the film interesting shots to make the single location do much of the heavy-lifting – but the sound, especially at the start, lets the production down for example, in utilising some library wind noises that sound just, well, too ‘library’ and therefore don’t really work and seem out of place. There are quite a few scenes which are unnecessarily drawn out and the central story isn’t really involving enough to justify its feature length running time. Personally, I thought Wired Shut would have worked better as a lengthy horror short rather than as a feature. And, after a sinister secret emerges, things get messy (and bloody) really quickly. So what is Emmy really up to and why?Įssentially, Wired Shut is a three-hander between the three main actors in play, namely the father and daughter, plus the daughter’s boyfriend, Preston (Behtash Faziali), who turns up later in the film, during the second Act, if you like, to throw an even bigger spanner in the works. Over the course of the next day or so he discovers that this was a lie and his ex-wife doesn’t care enough about him to push her only daughter to go and nurse him. Isolation and writer’s block are starting to get to him when, out of the blue, his daughter, Emmy (Natalie Sharp), turns up saying that her mum sent her over to keep an eye on him. Unfortunately, the rest of his life is a mess – he’s got drinking issues, his wife left him and his daughter only sees him rarely, plus, following a serious car accident, he’s currently drinking and eating through a straw, as he’s had his jaw wired shut to help reset his jaw bone. He enjoys the peace and quiet so he can get on undisturbed with his writing. Reed Rodney (Blake Stadel) is a successful best-selling novelist who lives in a modern mansion on a mountain-top surrounded by woodland and impressive vistas. The project went on to be set up at New Line Cinema, and even got as far as starting pre-production with Jason Bateman as the director.”īut, the release continues, “The project fell apart, and after the option period ended, Sonnier chose to take the project out of New Line and over to The Daily Wire.Cast: Blake Stadel, Natalie Sharp, Behtash Faziali Like “Run Hide Fight,” “Shut In” was also produced by Dallas Sonnier and Amanda Presmyk of Bonfire Legend, who acquired the script in 2018 from screenwriter Melanie Toast.Īccording to a Daily Wire press release, “Sonnier first discovered the Shut In script on The Black List website, purchased the rights, and introduced Toast to her agents at UTA. Caruso (“Disturbia” and “Redeeming Love”), it stars Rainey Qualley of “Ultrasound.” (Qualley is the daughter of Andie MacDowell and the sister of Margaret Qualley.)Ī synopsis provided by The Daily Wire describes the film as a “thriller” that “centers on a young single mother (Qualley) who is held captive along with her two children by a violent ex as she plots their escape before it’s too late.” The female-led action plot is thematically similar to Kyle Rankin’s “Run Hide Fight,” the movie acquired by The Daily Wire and launched by the conservative media company earlier this year. On Wednesday, The Daily Wire announced that “Shut In” will premiere this January as an exclusive to the site’s members before launching internationally. The partnership was announced after Disney cut her from “The Mandalorian” over a post on social media. Case in point: Gina Carano is slated to start shooting her original film with The Daily Wire in October. If they succeed, it’ll go a long way toward disempowering Hollywood’s stranglehold over our culture, showing artists there’s a soft place for them to land when they get booted from Tinsel Town over a bad tweet. “The release of ‘Shut In’ is just the next step in proving it.” “We entered the entertainment space in order to deliver a message to Hollywood: You no longer have a monopoly,” Shapiro said. ![]() In a Wednesday comment to The Federalist, Ben Shapiro made that argument. “We couldn’t be more excited to bring this tense, gripping thriller to our audiences.”
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